Youssou N’dour Bio
Throughout his decades-long career, Youssou N’Dour’s roots in Senegalese traditional music
and griot storytelling have remained the hallmark of his artistic personality. A daring innovator
and staunch protector of the unique “Dakar overgroove,” N’Dour and his high-energy Super
Étoile manage to fashion a sound that is both characteristically Senegalese and outward-
looking, a contagiously exciting synthesis of musical languages. Rolling Stone calls N’Dour’s
stunning tenor “a voice so extraordinary that the history of Africa seems locked inside it,” and
Super Étoile has been lauded in The Village Voice as “the greatest band in the world.”
Album Description from Mido Sow / Morocco
From https://ze-africanews.com/
The icon of Senegalese music Youssou N’dour hit again hard for this end of the year, he has
just put on the market on November 12, 2021, a new Album whose title is Mbalax. From words
to images, from images to words, the planetary star won his bet, he succeeded once again to
dazzle his audience. After two years of absence from the national and international scene, he
has just made his mark through the songs for this album of twelve tracks.
The vocal leader of the Super Étoile de Dakar, both businessman, and politician, has
approached from several angles different themes as well societal, economic, environmental as
political of this new album. This new production is for him a cry of the heart that plunges us into
a cultural diversity to a swan song for our Africa, especially our very dear Senegal where he tells
the present and hopes for a better African future.
According to Youssou, the title of the album mbalax comes from the sabar (drum language of
Senegal) which is of Senegalese root, therefore from the pure “made in Senegal”. Its
internationalization made it undergo a meeting between the traditional and the modern through
an opening to the world thanks to the mixture of musical instruments of other countries. In this
article, we will look at the twelve tracks that make up this new album.
The song “Corona” is the pandemic that ends up shaking the world. It emphasizes barrier
actions and taking vaccines to prevent or mitigate the risk of contamination and spread.
“Thione Seck, Ballago Ndoumb Yatma”, is emotionally unqualified. A vibrant tribute was paid to
another baobab of Senegalese music who died on March 14, 2021, as a result of a short illness,
(peace to his soul!). Very normal, and very logical, the lyricist of Senegalese music went away
forever.
“Zero waste”, our environment, the living environment, civics, citizenship education, humanism
make it possible to take better charge of our environment and space. Make the community
beautiful and clean.

“Da-fa-laa”, trust is the basis of sincere and lasting love. Mutual respect, communication is a
guarantee of real love, in a global way, in any relationship, whether friendly or in love, trust
should be the basis for the consolidation of the fabric of love.
“Tatagal”, This song is for fans and music lovers of Youssou Ndour’s music. He pays them a
vibrant tribute through a message of thanks throughout his musical career of more than fifty
years. The fanfare at the beginning and end of all the successful contests of the artist, without
them, the artist is not the king of Mbalax.
“Fay Bor”, paying his debts, as in literal transcription. It’s not just financial, but it’s social and
cultural.
“Good neighbours”, to ask forgiveness, to help one another, these values of solidarity, of living-
together, of social cohesion, for a harmonious society.
“Ndox”, water! The source of life. Indispensable to the life of human beings. Even if access to
water poses a real debate in the countries of the Third World, this source of rare life is becoming
increasingly rare, especially since we are in a world where capitalism has finished taking over
the social aspirations of the most vulnerable strata.
“Wax-ju-bari”, the controversy of too many. The current societies, where the enslavement of
social networks have finished dehumanizing man. In a context of tension, especially in third
countries, linked to the inactivity of youth, left to its fate, a helpless and desperate youth, in the
quest for a better living environment. Very flexible reactions force the governments of certain
countries to review their copy with regard to youth and the sovereign people.
“Gaggantiko”, This song is about rehabilitation, not correction. A form of education with much
more warmth, in order to transmit virtues and values that transcend the life of the individual.
Because it could have an impact on the psychology of the person. Education, as noted by the
French sociologist, Durkheim as he believed schools would play a central role in forming
modern societies. Though the need for different forms of education may exist in a society. For
example, the Diola in its way of educating, serene and that of the Soninke.
The French version of “Mama Africa” is the enhancement of our identity. Africa, is a land of
integrity, natural resources, minerals, oil, and gas. Paradoxically this continent does not move
one iota. A notorious lack of will to aspire to change from all angles, and an imprescriptible and
inalienable need.  
“The Solution”, is a life lesson to be brief in this intonation. To forgive oneself and to one’s
neighbor, whatever the degree of disillusionment. In this case, to have height, to be indulgent, to
take a step back would be the sum of the attitude to adopt for a world much more humanized.

“Moll”, fishermen in French, this time to sing in an atmosphere of celebration, of joy, while
leaving a message of encouragement, of motivation with the sole purpose of boosting them in
what they do, because being of indescribable usefulness .
The Mbalax album, in a fluid and stylish language, plunges us into our deepest quest for self,
confronts us with our most angelic tears and our most diabolical laughter. I believe that we are
music lovers first of all because listening to music is a pleasure and it is measuring the sweat of
its author who, through comforting, anguishing, serene words, reveal to us the mirror of our
uncertainties and worries.
Quotes
“N’DOUR has created a musical context that’s as large with possibilities as his sinuous, spine
tingling singing.”
Rolling Stone
“The kind of world pop in which the blend of Western pop and African tradition sounds so
organic that to talk about the different elements is to miss the whole.”
Washington Post
“African rock’s great global star, he has found the most graceful and purposeful balance
between the local and the international.”
The New York Times
“Youssou N’DOUR has been called ‘the African voice of the century” and “one of the world’s
greatest singers.” That may suggest a whiff of hyperbole, but not in the case of N’DOUR, who
has been thrilling audiences with his contemporized versions of Senegalese mbalax music for
nearly three decades.”
Los Angeles Times
“The Senegalese global music icon’s scintillating, soaring, and serpentine vocals have
epitomized Afropop to the ears of the world.”
The Boston Globe

Einlass: 19:00 Uhr

Nils Kercher Trio mit special guest Oumar Barou Kouyaté (Mali)
African Pulse & Nordic Space

Weltmusik voll zarter Innerlichkeit und zugleich packender Dynamik.
Der Sänger und Multiinstrumentalist Nils Kercher schöpft aus den Traditionen Westafrikas genauso wie aus der introspektiven Atmosphäre nordischer Weite und modernem Songwriting.
Sein internationales Trio breitet mit einem vielschichtigen Arsenal an Schlagwerk, mit Kora, Balafon, Gitarre und einem Geflecht aus Stimmen eine lebendige Fusion aus zwei Musik-Welten aus. Die Musik rückt die Kontinente mit einer neuen lyrischen Klangsprache aneinander - und begeistert Zuhörer unterschiedlichster Generationen und Nationalitäten.

Mit seiner virtuos gespielten malischen Spießlaute Ngoni bringt Barou Kouyaté, langjähriger Mitmusiker und Neffe des international erfolgreichen Bassekou Kouyaté, eine warme Farbe in die Textur ein.
Kira Kaipainen begleitet die Klangreise mit zarter Stimme, feinfühliger Perkussion und durch ihre unter die Haut gehenden Liedtexte.
Wie selbstverständlich und organisch die Zwiesprache zwischen den Musikern tönt, das zeugt von ihrer Neugier auf das Ungewohnte und von ihrer Souveränität.
Die Songs fühlen sich an wie ein Zyklus aus Versen, die lange im Inneren nachhallen. Dabei gelingt es dem eingespielten Trio das Subtile, Feine in den Kompositionen und die Leidenschaft für den Rhythmus und das Treibende zu verschmelzen. Die klar arrangierten Stücke lassen diese zwei Pole in einer kraftvollen und filigranen Balance vibrieren.

Nils Kerchers Alben stießen international auf große Resonanz in der Global-Fusion- und Songwriter-Musikszene und und erreichte mit „Ancient Intimations“ die World Music Charts Europe. Die BBC und renommierte Musikmagazine wie Songlines, fRoots und R2 verglichen seine Stücke mit namhaften Produktionen aus ganz unterschiedlichen Kulturkreisen, von Künstlern wie Rokia Traore, Steve Reich und Peter Gabriel. Und das beschreibt treffend seine Musik: sie gleitet von Atmosphäre zu Atmosphäre und zwischen den Zeiten und Kontinenten, um daraus mit unverwechselbarer Note eine organische - seine eigene - Story zu weben.

Nils Kercher (D) Kora (21-saitige westafrik. Stegharfe), Gesang, Percussion, Gitarre
Oumar Barou Kouyate (Mali) Ngoni (malische Laute), akustische Gitarre, Talking Drum
Kira Kaipainen (FIN) Percussion, Gesang, Balafon

http://www.nilskercher.de

Pressestimmen

„bezaubernd“ (WDR 5)

Seine Partnerschaft mit Oumar Barou Kouyate ist ein beeindruckendes Zeugnis dafür, wie zwei Musiker aus unterschiedlichen Roots-Kulturen auf unterstützende und inspirierende Weise zusammenarbeiten können. Dies ist keine „Cut-and-Paste“-Übertragung, sondern eine echte Fusion.... die oft klingt, als stamme sie aus dem Real World-Katalog. Ich vermute, dass dies mehr Menschen dazu ermutigen wird, die Kora zu hören...“
fROOTS MAGAZINE / UK

„schlichte, tief spürbare Authentizität“ (Badische Neueste Nachrichten)

"große Sogwirkung“ (Jazzthetik)

"…Gänsehaut…zeitlos schön... (Rocktimes)

„...managing to convey both a vast Nordic soundscape and the intimcy of African village life…“
R2 MAGAZINE RocknReel / UK

“wunderbares neues Album...grossartige Songs, übersprudelnd von Kora und fantastischem Gesang”
(BBC / UK)

„…schönes neues Album…Melodien, die den Zuhörer gleich umhüllen und Texte, die nachdenklich machen“
(General-Anzeiger Bonn)

„Ruhe, Harmonie, Leichtigkeit…globale Wohlfühlmusik in Zeiten die nicht immer voller Harmonie sind… globale Singer-Songwriterkunst… Sehr Träumerisch - aber manchmal, wenn man mehr auf die Texte hört, auch sehr kämpferisch…spannendes Projekt und kulturübergreifend - irgendwo zwischen Mali und Helsinki liegt halt das Rheinland“
(HR2 Kultur)

„ein wunderbares Konzert voller Hingabe und Virtuosität“
Songlines (UK)



VIDEOS:
AH-YE / HAPANA KULIA live Bonn: https://youtu.be/JbJ7c7p-7_M
TIME TO SHED OUR SKINS: https://youtu.be/w565hnyWr5A
TUULI ITKEE (live) Beethoven Chamber Music Hall Bonn: https://youtu.be/vKx_xFKBHrk
NANFULLE (live): https://youtu.be/5ArXNFxl8LI
OPEN WINDOWS https://youtu.be/4FhiIvrVHjs?feature=shared
Nils Kercher Duo live im Deutschlandfunk: https://youtu.be/qFhQv-q_978?feature=shared
UNBROKEN SPELL: https://youtu.be/Wgh0TqvEjZo
CAN YOU SMELL THE RAIN: https://youtu.be/NripOcZxk88
MOONRAY: https://youtu.be/oFhzR3WV8lI
FEATHERS: https://youtu.be/kJaYM6Zob_Q
I SiGA FE MINDE (filmed in Guinea / West Africa): https://youtu.be/B_JvCA7hx_0
Interview mit Nils Kercher WDR 5: https://youtu.be/hZROgtKLFKM?feature=shared

Copyright: Dorina Milas

Einlass: 18:30 Uhr

Laut. Direkt. Ungefiltert.

Wenn Saint City Orchestra auf Tour gehen, verwandelt sich jeder Club in einen vibrierenden, verschwitzten Raum voller Energie. Das neue Album This Ain’t Quiet ist schon laut – aber live wird es zu etwas Größerem: einem kollektiven Aufschrei gegen Stille, Stillstand und Gleichgültigkeit.

Hier geht es nicht um Showeffekte oder Perfektion.
Hier geht es um Nähe, Echtheit und Songs, die mitten ins Herz treffen – und manchmal mitten in die Magengrube. Die Band ist zum Greifen nah, das Publikum ist Teil des Ganzen, und jeder Abend entwickelt seine eigene Dynamik.

Die Shows fühlen sich an wie Nächte, die man nicht geplant hat, die aber genau deshalb unvergesslich werden: voller Emotion, voller Wahrheit, voller Menschen, die den gleichen Takt spüren. Fremde werden zu Verbündeten, Refrains zu gemeinsamen Schlachtrufen, und niemand geht so raus, wie er reingekommen ist.

Diese Tour ist für alle, die Haltung zeigen, laut leben und keine Angst vor echten Momenten haben.
Saint City Orchestra sind unterwegs – und sie bringen mit, was sie am besten können:
Keine Ruhe. Keine Kompromisse. Nur pure Live-Energie.

http://www.saintcityorchestra.com

Einlass: 19:00h