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JazzBase Quartet - Cole & More

Friday, 2/6/2026 at 8:00 PM

JazzBase Quartet - Cole & More

Friday, 2/6/2026
at 8:00 PM

More in Unterhaching

Tickets

from € 21.00

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Roald Raschner (piano)

Markus Röder (bass)

Philipp Hummel (drums)

Dorte Lindum (vocal)

The JazzBase Quartet interprets popular Cole Porter musical classics such as "Night and Day," "I’ve Got You Under My Skin," and "Just One of Those Things" in inventive, captivating arrangements.

The repertoire also includes compositions by several Danish composers from singer Dorte Lindum's homeland, as well as a few surprises. Uptempo, balladic, reggae-touch, soulful, Latin, and of course, swing – with a lot of experimentation and enthusiasm, the pieces are presented in a varied, grooviest way and full of positive energy on stage!

The musicians of the JazzBase Quartet captivate their audience in various jazz formations with their inventive and versatile playing, from trio to big band, including at the renowned Munich Unterfahrt. The voice of singer Dorte Lindum impresses with her secure phrasing and sensitive interpretation.

http://www.dortelindum.com

Event data provided by: Reservix

Jazzclub in Studio II

Jazzclub in Studio II

Axel Schlosser Double Trio
Denis Gäbel “Roots”

The “Jazzclub in Studio II” offers members of the hr-Bigband the opportunity to realize new concepts and ideas with colleagues and musician friends. It provides a playground for the creative minds of the band and the environment to try out new music in new constellations. Not infrequently, projects created in this way have continued to exist for a long time.

The sound of the Hammond organ has accompanied Denis Gäbel since his first notes on the saxophone. At the age of 12, he was inspired by his first teacher with the music of Maceo Parker, whose album “Mo’ Roots” is shaped by organist Larry Goldings. Over the years, his fascination grew for bluesy tenors like Eddie “Lockjaw” Davis and Stanley Turrentine, both of whom made legendary recordings with organist Shirley Scott. This tradition was continued by Gäbel's heroes, Michael Brecker and Donny McCaslin. For Gäbel himself, a quartet tour with the exceptional German organist Frank Chastenier was a highlight of his career so far.

For the project “Roots,” Gäbel invites, in addition to his big band colleagues Sebastian Scobel (Hammond organ) and Martin Scales (guitar), two of his closest musical partners from Cologne, Matthias Akeo Nowak (double bass) and Silvio Morger (drums), to explore these organ-shaped roots.

A completely new project will be presented by trumpeter Axel Schlosser on these evenings in Radio Studio II: Music for a “Double Trio.” One trio is a pure brass trio, consisting of trumpet, trombone, and tuba. The other is a “classical” jazz trio with piano, double bass, and drums. Drawing inspiration from a variety of musical sources, both trios will interact with each other. They will act independently from one another but will also perform together as a sextet. Some keywords to mention: double choir, brass band, chamber music. However, what will be played remains a surprise until the end of the concert.

Concert duration: about 120 minutes – including break
_________

Concert duration: about 120 minutes – including break

House opening: 7:00 PM There is no entitlement to entry after the concert begins.

Tickets may still be available at the box office.

Jazzclub in Studio II

Jazzclub in Studio II

Axel Schlosser Double Trio
Denis Gäbel “Roots”

The “Jazzclub in Studio II” offers members of the hr-Bigband the opportunity to realize new concepts and ideas with colleagues and musician friends. It provides a playground for the creative minds of the band and the environment to try out new music in new constellations. Not infrequently, projects created in this way have lasted for a long time.

The sound of the Hammond organ has accompanied Denis Gäbel since his first notes on the saxophone. At the age of 12, his first teacher inspired him with the music of Maceo Parker, whose album “Mo’ Roots” is shaped by organist Larry Goldings. Over the years, his fascination for bluesy tenorists such as Eddie “Lockjaw” Davis and Stanley Turrentine grew, both of whom made legendary recordings with the organist Shirley Scott.
This tradition was continued by Gäbel's heroes, Michael Brecker and Donny McCaslin. For Gäbel himself, a quartet tour with the exceptional German organist Frank Chastenier was a highlight of his career so far.

For the project “Roots,” Gäbel invites two of his closest musical partners from Cologne, Matthias Akeo Nowak (double bass) and Silvio Morger (drums), along with his Bigband colleagues Sebastian Scobel (Hammond organ) and Martin Scales (guitar), to explore these organ-shaped roots.

A completely new project will be presented by trumpeter Axel Schlosser on these evenings in Radio Studio II: music for a “Double Trio.” One trio consists of a pure brass ensemble made up of trumpet, trombone, and tuba. The other is a “classic” jazz trio with piano, double bass, and drums. Drawing inspiration from various musical sources, both trios will interact with each other. They will operate independently but will also perform together as a sextet. Some key words include: double choir, brass band, chamber music. However, what will be played will remain a surprise until the end of the concert.

Concert duration: about 120 minutes – including break
_________

The "Jazzclub in Studio II" offers members of the Frankfurt Radio Big Band the opportunity to realize new concepts and ideas with colleagues and musician friends. It provides a playground for the creative minds of the band and the environment to try out new music in new constellations. Sometimes, projects created this way were to last for a long time.

Concert duration: about 120 minutes – including break

Doors open: 19:00 Uhr After the concert starts, there is no right to enter the hall.

Steve Coleman and Five Elements

It started in the African-American environment of the South Side of Chicago. After initial performances in church and attempts to imitate the Jackson 5 in a singing group, Steve Coleman turned to the alto saxophone at the age of fourteen. He listened to recordings of Charlie Parker, Sonny Rollins, and John Coltrane. And he began to engage professionally with jazz. In the late eighties, he moved to New York and played with greats like Thad Jones and Mel Lewis, with Sam Rivers, and with Cecil Taylor. The first "Steve Coleman and Five Elements" band, where he developed his improvisational style at that time, occasionally performed as a street music ensemble.
Since 1985, Steve Coleman has been recording his own music as a bandleader. As a sideman, he has appeared on countless recordings, including about five albums by Dave Holland in the second half of the eighties, among others with Jack DeJohnette. His versatility is evident in projects since the nineties. For example, he developed an improvising computer program at the Paris research center for computer music IRCAM, which was then used as a "band member" during a performance by the Coleman group on June 11, 1999, in Paris. After phases of musical abstraction, the recent recordings and live performances of the band signal a powerful, energetic return to "Groove Funk."
Coleman's playing on the saxophone appears virtuosic and cool in its clear, sleek tonal production and extremely nimble line execution. Clarinetist Don Byron referred to him as “an exceptional personality in American music history,” and pianist Vijay Iyer said in 2010: “In my eyes, Steve Coleman is as significant as John Coltrane.”

7:00 PM

The Bad Plus Chris Potter & Craig Taborn - Playing the Keith Jarrett American Quartet Songbook

In the early 1970s, the legendary pianist Keith Jarrett, in collaboration with Charlie Haden, Paul Motian, and Dewey Redman, shaped a completely new jazz style. The 17 albums released jointly by the four musicians, informally referred to as the "American Quartet," expanded the tradition with a funky soul flavor that did not conform to the electric fusion styles of the time. This special sound is now being revived by the two founding members of the American avant-garde ensemble "The Bad Plus," Reid Anderson and Dave King. "The Bad Plus" are always busy building bridges between genres and techniques while exploring the endless possibilities of extraordinary, perfect synchronization.

To the acoustic search for the American Quartet, "The Bad Plus" take tenor saxophonist Chris Potter with them. Potter, with his energetic and intuitive playing, is one of the most influential musicians in the American jazz scene, and today he can choose exactly who he collaborates with on a project. And if anyone fits into the big footsteps of piano titan Keith Jarrett, it is the American Craig Taborn, who, just like his great role model, is one of the important solo piano artists of the jazz label ECM. Taborn is among the great improvisers of jazz, from the grand melodic line to minimal techno. Perfectly suited for the project with "The Bad Plus."

Doors open: 6 PM

REQ (Richard Ebert Quartett) - (D) - Jazz

Supported by the Initiative Musik and the Federal Government Commissioner for Culture and Media "BKM"

The jazz quartet led by saxophonist Richard Ebert combines elements from the current mainstream of modern jazz with experimental sound collages.

Press text "Departure Day"
"Departure Day" (QFTF) at the end of the eponymous album by the young saxophonist Richard Ebert is the return from the dreamscapes of the debut album "Nyx" (Unit). There is no melancholy or wanderlust to be found. The gaze is always directed forward, and the development of the band with the second album does not stand still, showcasing a completely new spectrum of musical expression possibilities beyond the classical role distribution of a typical jazz quartet.

With light steps and always full of poetry, the four musicians, who got to know each other during their music studies in Dresden and have performed over 100 concerts in Germany, Austria, and Slovenia, move through detail-loving arrangements, assigning as much importance to refined song structures as to lyrical or fast-paced improvisations. They skillfully incorporate elements from the current mainstream of modern jazz as well as experimental sound collages, playing a jazz that is both engaging and subtle, capturing the mind, heart, soul, and body alike—a jazz that opens up realms of imagination and freedom.

Line-up:
Richard Ebert: Saxophone, Flute
Jochen Aldinger: Piano
Kevin Knödler: Double Bass
Patrick Neumann: Drums

Press reviews:
Ukvibe.org:
"Abreisetag is a truly unique piece of music. Showing a great effort for sound and story. Reminiscent of Saxophone greats like Stan Getz." 4/5

Jazzthetik:
"Genius stroke / absurd sound paintings / Highlight / Original / The interplay of the musicians is impeccable."

FRIZZ Frankfurt:
"Another discovery from the young label QFTF." 4/5

Press release "Departure Day"
"Departure Day" (QFTF) at the end of the eponymous album by the young saxophonist and composer Richard Ebert is the return from the dreamscapes of the debut album "Nyx" (Unit) without causing melancholy or wanderlust. The view is always forward and a completely new spectrum of musical expression beyond the sound of a typical jazz quartet shows that the development of the band does not stop with the second album."

20:00

Spotlight Jazz | The Spirit of John Coltrane

Talk concert

Spotlight Jazz
The Spirit of John Coltrane

Hendrika Entzian | Direction

Spotlight Jazz is a special concert format that takes you into the world of jazz in just over an hour on a special topic. This time we are looking at John Coltrane and his enormous musical legacy. For the saxophonist, music was a message and a means of creating connections between people. His style continues to shape music today, even beyond jazz.

The presentation will be in German.

Concert duration: about 70 minutes – without a break!

House opening: 18:00 After the concert begins, there is no claim to entry into the hall.

Frankfurt am Main

Frankfurt am Main

Gschwend

Monheim am Rhein

Offenburg

Frankfurt am Main

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Frankfurt am Main

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