In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

Eine Komödie von Johannes Galli: Jung und erfrischend!

Dynamisch, flexibel und sexy sein… das ist das Ziel der Wohngemeinschaft Frauenpower. Bei Jutta, Jenny und Trixie herrscht super Stimmung, denn alle haben ein Date! Doch plötzlich fangen die Männer telefonisch an zu stressen: Hubert ist verheiratet, Raphael muss mit seiner Mutter zum Beach-Volleyball-Turnier und Carlos hat eine andere – oder zwei… Doch die drei geben nicht auf. Kurzerhand beschließen sie, ihre Partner so zu spielen, wie sie sein sollten, um den anderen besser zu verstehen.

Einlass: 19.30 Uhr

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

PubQuiz-Fans aufgepasst: KUZ & Köpfchen – Das PubQuiz im KUZ ist da und wir sind ready! Zeigt, wie viel Köpfchen ihr habt. Wir haben eine bunte Mischung an Fragen für euch vorbereitet und freuen uns schon, auf eine spannende Quiz-Night mit euch!


WAS IHR WISSEN MÜSST:

Das Quiz startet um 19 Uhr im KUZ Kulturzentrum Mainz, unsere Türen öffnen sich aber bereits um 18 Uhr.

Ihr spielt in 4er bis maximal 6er Teams zusammen und könnt euch bis zu Beginn des Quiz online mit eurer Gruppe anmelden.

Im Idealfall habt ihr schon den perfekten Gruppennamen, mit dem ihr antreten wollt, parat.

Ihr habt natürlich auch die Möglichkeit euch leckere Drinks zu holen und mit euren Teampartner:innen auf eure Erfolge anzustoßen.

Einlass: 18:00 Uhr | Beginn: 19:00 Uhr

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.